202. 200 HISTORY OF SANSKRIT POETICS

200 HISTORY OF SANSKRIT POETICS

incapable of being defined and illustrated. In the 2nd उद्धोत he subdivides भविवचितवाच्य into भर्थान्तरसंक्रमित and अत्यन्ततिरस्कृतवाच्य and cites instances of each; the instances of the two respec- tively are 'तदा जायन्ते गुखा यदा ते सहृदयगृ धन्ते। रविकिरयानुगृद्दीतानि भवन्ति कमलानि कमलानि ।।' (here the 2nd कमलानि is अर्थान्तरसंo) and रविसंक्रान्तसौभाग्यस्तुषारावृतमएडलः । निःश्वासान्य इवादर्शश्न्द्रमा 'न प्रकाशते ॥' (here the word अन्ध is अत्यन्ततिरस्कृतवाच्य); he divides विवत्ितान्य- परवाच्य into भसंलक्ष्यक्रमव्यक्रय and संलक्षयक्रमव्यंग्य; भसंलo is constituted by रस, भाव, रसाभास, भावाभास and भावप्रशम, when these occupy the principal position; where रस, भाव and others are subordi- nate and the principal purport of the passage is different, there occur the figures रसवद् &c; difference between gunas and alankaras; remarks on the three gunas माधुर्य, ओोजस् and प्रसाद; अनुप्रास and यमक are not very desirable in शृद्गार; illustrations of such figures as रूपक, पर्यायोक्त as subsidiary and favourable to the evolution of शृम्गाररस; subdivision of संलक्ष्यक्म into शब्दशक्तिमूल and अर्थशक्तिमूल, the former occurs where by the power of words an अलक्कार is suggested (and not expressed), while in श्लेष two meanings are directly conveyed by the words themselves; examples of श्लेष and शब्दशक्तिमूलघ्वनि; definition and elucidation of अर्थशक्तिमूल (an example is 'एवं वादिनि देवर्षौं पार्श्वें पितुरधोमुखी। लीलाकमलपत्राषि गणयामास पावती ।' where the व्यभिचारिभाव लज्जा is suggested); difference between अर्थशंक्तिमूल and असंलच््यक्रमव्यंग्य (the latter occurs where T# is relished by ,the express mention of विभावS, अनुभावs and व्यमिचारभाव); subdivision of अर्थशक्तिमूल into वस्तु and अलक्कार, the former being प्रौढोक्तिनिष्पन्र1 and स्वतःसम्भवी; examples of अलक्कारध्वनि. III. In the second उद्द्योत the sub-divisions of ध्वनि were based upon व्यंग्य, in the third उद्धोत sub-divisions are made from the point of view of the व्यन्जक; अविवतितवाच्य (in its two varieties) is पदप्रकाश्य (an example is कः सन्नद्धे विरहविधुरा त्वय्युपेक्षेत जाया) or वाक्यप्रकाश्य (as in या निशा सवभूतानां तस्यां जागर्ति संयमी) ; the same two varieties occur in the संलच्ष्यक्रमव्यंग्य divi- sion of विवत्तितान्यपरवाच्य; असंलच्ष्यक्रम is helped by वर्ष, पद, वाच्य, सङटना and प्रबन्ध; three kinds of सङ्गटना (असमासा, मध्यमसमासा and दीघसमासा); the relation of सङटना2 to गुख; सहूटना depends upon 1. Vide Mr. A. K. Subramania Aiyer's article on 'Praudhokti in Alankāra-śāstra' in J. O. R., Madras, vol. 16 pp. 20-31.

pp. 76-78. 2. Vide a brief article on सङ्दना in New I. A. vol. VII.