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A Rasa Reader Classical Indian Aesthetics Sheldon Pollock

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Chapters (36)

  1. 1.A Rasa Reader Classical Indian Aesthetics Sheldon Pollock
  2. 2.9. RASA AND INSTRUCTION
  3. 3.12. RASA PAST AND FUTURE
  4. 4.CHAPTER ONE
  5. 5.FROM TREATISE ON DRAMA OF BHARATA
  6. 6.1.8 THERE CAN BE NO "MANIFESTATION" OF RASA
  7. 7.CHAPTER TWO
  8. 8.CHAPTER THREE
  9. 9.CHAPTER FOUR
  10. 10.4.2 THE THEORY OF RASA PURIFIED
  11. 11.CHAPTER FIVE
  12. 12.5.3 RETHINKING "SEMBLANCE OF RASA"
  13. 13.CHAPTER SIX
  14. 14.6.3 DEVOTEES EXPERIENCING RASA
  15. 15.LOKANATHA CHAKRAVARTIN (C. 1690)
  16. 16.113. DhĀL pp. 335-36.
  17. 17.158. Additional material is offered in Pollock 2001c.
  18. 18.60. Contrast Krishnamoorthy 1979b: 304.
  19. 19.129. This refers to the physical register of acting.
  20. 20.274. Perhaps to hide his transgression (so Ingalls et al. ad loc.).
  21. 21.299. pratyagratā -; for the usage see VJ p. 45.6.
  22. 22.327. I am uncertain of both the text and my translation.
  23. 23.2. THE GREAT SYNTHESIS OF BHOJA, 1025-1055
  24. 24.116. Compare kārikā 9.
  25. 25.109. Dhanika takes the phrasing from NŚ 1.342, which he cites.
  26. 26.132. See Pradīpa on KP (BHU ed.) p. 154.
  27. 27.188. Nāgānanda 3.4.
  28. 28.114. Two additional forms of valid cognition.
  29. 29.213. See NŚ 6.34-38, above.
  30. 30.74. Vidyadhara cites ŚP 1.6 .- 7 (in reverse order).
  31. 31.131. SD 5.5. Compare VV p. 59, above.
  32. 32.154. See, for example, vv. 8 and 12.
  33. 33.6. RASA IN THE EARLY MODERN WORLD, 1200-1650
  34. 34.175. Rather than the character, the actor, and the viewer.
  35. 35.244. Compare Abhinavagupta on Bhatta Nayaka #1a; Ruyyaka on #3a.
  36. 36.SECONDARY SOURCES